Projects & Collaborations

by Bruce Gilchrist

A Way of Asking for Reasons, 1994, Trinity Buoy Wharf, London. Screenshot from a video by Jeremy Blank.

I am an artist with a background in performance and digital live art making works that typically play on the boundary between automation and liveness. Current projects take the form of hybrid intermedia artworks understood as combinations of emerging technology, performance, and conceptual approaches.


Stop Searching Else Loop Forever, 2025, Project78Gallery.

In 2018, I initiated Automatic Cinema, a collaborative project that combined computational cinema, robotics, and performance to re-imagine a blend of factory and warehouse, transforming arrangements of labour, capital, media, and information into a new space of cultural production (supported by Arts Council England and the Centre for Digital Storymaking, LSBU). The outcome of this research, as proof of concept, led to an AHRC funded practice-based PhD project in association with Data as Culture at the Open Data Institute (ODI) London, & D6-Culture in Transit Newcastle to research the poetics of artificial intelligence (2018–2022). In 2020 I was invited to participate in a masterclass hosted by Thoughtworks Arts (New York) and Baltan Laboratories, Eindhoven (NL), working on a creative investigation into the social impacts of AI technology. The resulting collaborative project Smart Hans was awarded in the ‘Interaction’ category and received the Jury’s Main Prize at Lab30 Medienkunstfestival (2022). Following this I was a BeFantastic Beyond Fellow (2022-23) as lead-artist within a multidisciplinary team creating new artwork for FutureFantastic at Jaaga Festival, Bangalore (2023).

An AHRC Research Fellowship at Oxford Brookes University (2002–2005) and a London Science Museum SMAP5 commission (2005) generated materials for the project, Gustav Metzger thinks about nothing (2012). Inspired by Metzger's political and environmental activism, as well as his concern with concepts of the void, the project focussed on ‘nothing’ as a productive category eventually linking neurophysiology, psychophysics, and manufacturing technology in the creation of a sculpture. This work has recently been exhibited in The Hague at West Den Haag as part of Gödel Escher Bach (2023), and KU Leuven as part of To The Edge of Time (2022).

I co-founded the artist group London Fieldworks (LFW) in 2000 as a cross-disciplinary collaborative art practice. Early projects were seminal to a notion of ecology as a complex inter-working of social, natural, and technological worlds.

Super Kingdom: Stalin, London Fieldworks, 2008. A Stour Valley Arts commission. Image courtesy London Fieldworks.

Awards with LFW include London Short Film Festival (Best Experimental Short); Ars Electronica (Honorary Mention Hybrid Art category); Art & Artificial Life International Awards (Special Mention) issued by VIDA 10.0 Madrid; International Fellowship, Headlands Center for the Arts, California; Artist Links Residency Award Brazil. Prior to this my main activities included being a solo and collaborative artist within the digital live art arena. 

Divided by Resistance, 1997, CCA, Glasgow.  

The ICA-Toshiba Art & Innovation Commission awarded first prize to myself and software programmer Jonny Bradley for the durational digital live-art performance Divided By Resistance curated by Lois Keiden as part of ‘Totally Wired’ at the ICA, London (1996). This commission proved to be seminal to a body of work including Thought Conductor#2 which was concerned with integrating physiological interfaces as part of a database aesthetic.

International exhibition venues include Temple Contemporary, Philadelphia; Sprengel Museum, Hannover; DSM New York; The Lab, San Francisco; Oslo Contemporary Art Museum; Jaaga Festival Bangalore; Muu Media Base, Helsinki. Video works have been screened at various venues including Microwave International New Media Arts Festival, Hong Kong; Hauser & Wirth, Somerset; ZKM, Karlsruhe; CVPR Seattle; Flat Earth Film Festival, Seyðisfjörður, Iceland; Bio-Fiction, Tokyo. An earlier period of activity included ensemble performance projects with several groups performing worldwide, including Station House Opera, Blast Theory, and People Show, amongst others.